Monday honors the Moon. Make its energy work for you by understanding what sort of work you should be doing:
On Mondays, know that you can begin a great, productive week by honoring the feminine energy of the day. Be receptive to what presents itself and reflect on those aspects of your work that could be done better or with more depth.
I wrote more extensively on the topic in my Wholly Creative blog post today, which discusses more about the magic of moon energy.
You might even honor its energy by incorporating the moon in whatever it is you are writing today.
If the idea of combining magic and writing appeals to you, check out this 13-week online workshop.
I’m so tired of all the glorification of suffering that seems to go hand-in-hand with writing. The idea that one must suffer for her art has been ingrained in us. It doesn’t help that some of our literary icons have told us its true.
“Writing is hard work and bad for the health.” E.B. White
“Easy reading is damn hard writing.” Nathaniel Hawthorne
“Perhaps it’s good to suffer. Can an artist do anything if he is happy?” Aldous Huxley
Even if you’re not familiar with these quotes, it’s likely the notions that writing = hard and that suffering = better writing are some of your core beliefs because they’ve been repeated so often.
The truth is, as writers, we all hit creative blocks or need solutions to a craft problem. And, yes, writing takes effort. But we don’t have to suffer.
I did it, anyway, because I didn’t know better. After 10 years as a journalist, columnist and poet, I just couldn’t handle the suffering my writing life caused me. My writing depleted me. My failures, whether perceived or real, demoralized me.
Even though I’d made deep sacrifices for my art, I just couldn’t do it anymore. I quit my column. I stopped performing. I stopped publishing. I knew I either had to quit forever or I had to find a new way of doing things.
In a commitment to this new life, I moved across the country to California, and I began cultivating a yoga practice that changed everything.
The teachings of yoga philosophy helped me with my relationship with writing. (I published a paper on this in a book on innovations in teaching writing. Read it here.) Soon, I saw that my yoga practice was a magical tool, too. And as I continued my quest for a relationship with my writing that felt supported, purposeful, and nourishing, I recognized the principles that I now teach in Practical Magic for Writers workshops.
Imagine a writing life…
that allows you to feel connected, rather than isolated.
that fills you with purpose, inspiration and joy.
that nourishes you, instead of depleting you.
that contributes to the well-being of you and others.
that helps you realize your best and highest self.
Though I’ve never published fiction, I have written fictional stories that have become real worlds and my characters are well known by many who interact with them as if they are real, live people.
Let me explain.
Back in the early 90s, I was trapped in a marriage to a man who had become physically and verbally abusive. We had only one car, and I used to stare out the window as he drove through West Palm Beach, fantasizing about what went on inside some of the buildings we’d pass. I couldn’t go inside. My husband, who was much older and made most of the money, controlled where I went physically.
But he couldn’t imprison my imagination. The colorful sign above the ArtsBar on Dixie Highway provoked my curiosity, and my imagination projected me into that dark bar where Bohemian creative types drank and conspired to make art together. Along Federal Highway, a plain beige one-story building announced short term rentals. From a post hung a plain white sign with Mi Casa written in brown script, inviting me in.
Into these spaces, I projected the characters of two young women — Calla, the uninitiated narrator who had just declared her independence from a suffocating marriage and Sybil, a wild child neighbor who taught the narrator the ways of single, independent, creative living. I began to write the story down. And then it took on a life of its own.
Within a few months, enough money to leave my husband found its way into my hands. The local radio was giving away cash — extra if you knew the phrase that pays. I won the big prize — $1,000. That was surprising in itself, but what was even more magical was that I’d told my co-workers that I was going to win the contest that day.
With the money, I moved into a studio in a Palm Beach duplex that was maybe twelve feet square. It was so small, you could sit on the toilet and brush your teeth over the sink at the same time. There was room for a bed, dresser, desk, and book shelf, which left only enough room to walk between the furniture. It was tiny, but it was mine!
Within a couple days, I discovered the best feature of the place: Dorothy, a wild child who would teach me the ways of single, independent, creative living!
I was Calla and she was Sybil. She’d studied theater, art, and poetry. She believed in the chthonian power of the arts and lauded chaos, darkness, and earth magic. Dorothy showed me all around Palm Beach, where she had been waiting tables and rubbing elbows with high society who appreciated smart women with quick wit and sharp tongues. She took me to the bars and arts institutions. She taught me the importance of a little black dress and red lipstick. She taught me to be shameless and brazen. Within the year, Dorothy and I had published our first art & literary magazine and were featured several times in the local press.
Then Dorothy took off for Europe with a backpack and I became a one-woman show. I performed poetry on pool tables, I started a poetry band. People started calling me “The Poetry Chick.” Eventually, I founded Delray Beach’s Dada Poetry Slam (Florida’s longest running slam, which just came in FIRST PLACE in National Poetry Slam Group Pieces! Yay team!). I traveled around the country performing my poetry and selling my chapbooks.
I wrote that new life into existence. It began with a vision — a fantasy — which I clarified and developed as I wrote. In the writing, the characters became more real, more embodied.
I understand that my desire for freedom — personal and creative — was within my power to choose.
How on earth did I manifest Dorothy, though?
I don’t know. Perhaps the story was a pre-cognition. Or maybe I just got lucky. I can’t say for sure. But I do know that I have observed these synchronicities over and over in my life where my writing about things precedes them — new situations, events, and people.
I teach this aspect of Practical Magic for Writers in my Genius! workshop. I really am in awe of our ability to manifest the lives we want by imagining them and writing them into existence. That seems like magic to me.
People’s eyebrows do The Wave when I tell them what I’m up to.
They seem intrigued (or maybe confused?) by the yoga-magic fusion that I practice in my writing. Many times I will have met someone in the more mainstream yoga world and when they find out that I practice magic, I watch their eyebrows do their thing.
Yoga and magic aren’t that different, really. They both work with subtle forces to bring about change. They both believe in the power of words.
Yoga philosophy holds not only that words are powerful and important but that language and sound is sacred. The sacred syllable Om brought everything into existence. As writers, our letters create sounds that spell words into existence. We manifest where there was nothing. They don’t call it “a spell” for nothing.
I’ve seen this sort of spelling happen over and over again in my life, where my writing meditations manifested new things and often a new world. In fact, these were often things beyond my wildest dreams.
Once during a waxing moon, I cast a spell for knowledge (I teach this spell in a writing workshop). It was a spell that had chosen me – that is to say, I had chosen the spell randomly allowing The Universe to tell me what work I needed to do in my life to become more aligned with my True Self and True Purpose.
In the seven days that I worked the spell, sitting in the roots of an old tree and recording its wisdom, not much happened except that my journal pages began to fill with smart observations expressed in poetic language. The last day, I finished the spell and I thought, “Well, I got some good writing.” And I thought that was it.
But that night, which also happened to be a lunar eclipse, I got more.
The phone rang. It was a call from my then-teenaged daughter who lived with her father, and he had done all he could to keep her from me and drive a wedge between us. But that night, my daughter was asking to come live with me.
Talk about knowledge! From that point on, I learned what it was like to be a daily parent rather than a weekend one. I learned that all the sacrifices that I had made to stay in my daughter’s life hadn’t been for naught. I learned to forgive myself for being young and poor and unable to fight for her when I left her father.
But it wasn’t just me who gained knowledge. My daughter did, too. Her studies, which had been stunted by depression in her father’s home, began to improve. With hope for something more than going to the local community college, she also began studying for the SAT. Based on the knowledge she demonstrated on that test, the University contacted us to say they would admit her if she had another semester of excellent grades.
And the magic continued to expand over the months. When we got the call six months later saying she was accepted to University, we literally jumped up and down and cried tears of joy.
What unfolded – the sudden reunion with my daughter and her rapid re-routing of her life course – was nothing short of a miracle. And that’s what a spell does for us: it gives us what otherwise seems too difficult or impossible. And this is just one instance of countless others where writing magic changed my life for the better.
It’s why I will always practice what I call Practical Magic for Writers. Not only do I manifest new writing, but I manifest wonderful life changes.
And just in case you were wondering, I shaped the writing from my spell for knowledge into a lyric essay, and it was recently accepted by Tiferet Journal of Spiritual Literature. Once set in motion, the forces of magic are unstoppable.
I’ve never thought of myself as a tree hugger. I mean, I love nature. I enjoy sailing, hiking, sunbathing, kayaking, and bike riding. I’ve even done some protesting of GMOs.
But I know people deeply committed to eco-preservation. These people chain themselves to trees or to each other and block destruction of the environment, like the Everglades, enduring heat, injury, and dehydration, until the authorities eventually haul them away to jail. I deeply admire these people. Still, I don’t see myself as a tree hugger. I mean, I admire martial artists. That doesn’t make me a ninja.
Still, I surprised myself the other day when I did everything short of hugging a tree to make myself feel better. Here’s what was going on:
For no real reason other than it was a Tuesday, my chest was tight and there was lump in my throat. One way I deal with anxiety is to dial up my productivity. Sometimes it helps.
On the Tuesday in question, I applied for a DBA for Wholly Creative, learned online software to help my business, organized my workspace, brainstormed with my assistant about other opportunities, and met a friend for lunch. I felt powerful, full of momentum. After lunch, I crashed for a half hour and took a nap. But by the afternoon, the tension was still there in my chest and throat.
So I tried the opposite approach: do less.
I walked to to the beach. I wrote for a little while. I watched the children throwing buckets of water at each other, the waves rolling in, couples sitting on blankets in the soft sand together, the golden light of the setting sun bathing the whole scene in such magical light that even the garbage seemed enchanted. But the breeze, waves, and sunset didn’t do much for the constriction I still felt, like an unseen hand was reaching down my throat and squeezing my heart.
I packed up my things as the breeze blew colder, and as I walked toward home, I was drawn to the coral tree that stood in the grassy area along the beach. It’s complex root structure fascinated me. Its branches rolled like cursive into the punctuation of bumps and nubs.
I slowly approached the tree, more curious than committed to an action, still with this discomfort, this dull aching in my chest and throat. I thought about doing a couple lion’s breaths, sticking out my tongue with a forceful exhale, which sometimes helped a little.
Instead I began talking to the tree. “Hi there. You’re an interesting tree. Do you mind if I sit here?” I climbed onto the horizontal portion of the trunk and settled in. “I used to have another tree friend back in Florida.”
And then I began to tell this tree about another tree, a Green Buttonwood, that used to grow along the sea wall in Lake Worth. I used to sit on its similarly sideways trunk and listen to the waves slop against the seawall while I wrote. The days I spent there with the tree, I unburdened so much in the pages of my notebook. During our time together, I went through several boyfriends, my father died, I went back to graduate school, my daughter moved in with me and I became a full-time mom. I experienced and learned so much with that tree, that I developed a relationship with it. I started to call it my tree.
Then the fences went up. Hurricanes and time had damaged the sea wall, and a restoration project was underway. I couldn’t get to my tree without climbing under the fence. I wrote the city a letter expressing my concern about the tree. I was told by the city’s arborist that there were others who inquired, too, and that the city was looking into what could be done to preserve the tree.
One night as I walked in the moonlight to the park, I let out a howl. The tree had been uprooted. Its trunk and limbs, sawed into pieces, were in a pile.
“Murderers!” I shrieked and ran toward the fence. I lifted the chain link and crawled under it. Surveying the damage, I let out a roar, as much furious at my helplessness as at the person or people who had done this. And then began to sob. I rested my hand on a large limb, as I looked at the severed pieces lying casually on the grass.
“I’m so sorry. I’m so so sorry.” I cried in the darkness as the leaves limply hung from their drying branches. “I tried. I didn’t know what else to do.”
That night I walked home with a bundle of smaller branches in one arm, dragging one large leafy branch behind me. Weeks later when they had dried enough to burn, I lit a funeral pyre and said goodbye. I saved one two inch piece of a large branch from the fire. It moved with me to California. I keep it on my altar.
I told this story to my new tree friend as we sat together looking out at the ocean. And then I settled in to write a poem about a girl in a tree. “Her heart relaxes in this hammock of arteries and veins.”